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Welcome to EvO:R Entertainment
  •  The CD Universe Virtual Kiosk Music Store

    Established in 1996, CD Universe is a leading Internet retailer specializing in the sale of domestic and imported music CDs and Imports, movies and video games to customers all over the world. We offer everyday low prices and a selection of product that is unmatched.

      70's Music CDs : Top Sellers

    Note: At EvO:R, we don't actually stock or sell the CDs you are looking at. We simply list each CD by genre and link you to the CD Universe website for the sale.

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      70's Music CDs : Top Sellers
      Music by the decades: [50's] [60's] [70's]  [80's] [90's

      Aja CD
      by Steely Dan
    Our Price: $6.55 CD / 6.39 MP3
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    This represents the pinnacle of Steely Dan's gradual transition from rock band to their own brand of jazz-influenced white soul. Guitars were replaced by keyboards, and saxophones became more common. Walter Becker and Donald Fagen were only interested in spending time in the recording studios, while the fans pined and waited. The result set new standards in recorded excellence, and is regularly used as a hi-fi shop demonstration. The ambitious title track was deemed too difficult for radio play and only the two overtly accessible tracks `Josie' and `Peg', gave them valuable exposure.

    All tracks have been digitally remastered.
    Rolling Stone (8/30/01, p.128) - 5 stars out of 5 - "...Exquisite...music so technically demanding its creators had to call in A-list session players to realize the sounds they heard in their heads but could not play....AJA [is the]frustration and failure at the heart of the party." Q (6/00, p.131) - 5 stars out of 5 - "...Sleek, smart, deliciously cynical...Lyrically opaque and using the best musical back-up in the business, this was the Steely Dan album that effectively ring-fenced jazz-funk forevermore....what rich entertainment still."
      Best: Loggins & Messina - Sittin' In Again CD
      by Loggins & Messina
    Our Price: $6.75 CD / $9.99 MP3
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    Recording information: 1971 - 1974.
    Loggins & Messina: Jim Messina, Kenny Loggins (vocals, guitar).
    Additional personnel: Chris Brooks (koto); Al Garth (violin, fiddle, viola, recorder, bass clarinet, alto saxophone, tenor saxophone, horns, steel drum, background vocals); Jon Clarke (alto flute, bass flute, recorder, bass clarinet, oboe, saxophone, horns, steel drum); Michael Omartian (concertina, piano, Clavinet, organ, keyboards, steel drum); Don Roberts (horns); David Paich (keyboards); David Wallace (synthesizer); Larry Sims (bass guitar); Merel Bregante (drums, background vocals); Victor Feldman, Milt Holland (percussion).
    Liner Note Author: David Wild.

      Every Picture Tells A Story CD
      by Rod Stewart
    Our Price: $12.15 CD / $7.59 MP3
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    The aesthetic Rod Stewart had been honing over his first three solo albums--an aesthetic that combined folk, hard rock, and R&B swagger--was perfected on EVERY PICTURE TELLS A STORY. The album's combination of strong, original songs and plum cover versions reveal the artist's range and versatility as he simultaneously paid tribute to mentors and declared his own craft. Members of Stewart's regular group, the Faces, provide intuitive support, making nearly every track shine with passion and edge.

    Stewart's take-no-prisoners interpretation of the Temptations' "(I Know I'm) Losing You" brought new dimensions to a Tamla/Motown classic. "Maggie May," one of the great pop anthems, is the obvious standout, but the remaining selections, such as "Mandolin Wind" and Tim Hardin's beautiful "Reason To Believe," have a similar sense of purpose. Through it all, of course, is Stewart's soulful, beautifully textured singing, which reaches its pinnacle on these performances, ensuring the artist's standing as one of rock's all-time greatest vocalists. If you buy only one Rod Stewart album, EVERY PICTURE TELLS A STORY should be it.
    Rolling Stone (12/11/03, p.136) - Ranked #172 in Rolling Stone's "The 500 Greatest Albums Of All Time" Rolling Stone (7/8/71, p.42) - "...he's got soul to spare...He's eloquent, literate, and moving: a superb writer... no better backing band in the biz at the moment..." Rolling Stone (9/30/71, p.42) - "...the best thing he has...done on record..." Goldmine (7/90) - "...stunning in every way, its release on high quality Ultradisc makes perfect sense..."

      Open CD
      by Blues Image
    Our Price: $11.59 CD / $9.99 MP3
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    First-ever domestic CD issue of the group's in-demand second album, featuring 'Ride Captain Ride' When Blues Image launched into their 1970 chart smash, 'Ride Captain Ride', the smoking lamp was always lit. But, with their subtle use of Latin Rhythms, featuring tantalizing fret-board work by Mike Pinera and the addictive conga drums of Joe Lala, this Tampa, Fla. combo proved themselves anything but a one hit wonder on their out of nowhere classic, Open. Sundazed. 2004

    Recorded at American Recording Company, Studio City, California.
    Blues Image: Mike Pinera, Malcolm Jones, Skip Conte, Joe Lala, Manuel Bertematti.

      All The Young Dudes CD
      by Mott The Hoople
    Our Price: $6.79 CD / $9.99 MP3
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    In 1973, the members of Mott the Hoople were tired. Island Records had dropped the band after three albums, as sales were low and audience interest was almost non-existent. But the band had a famous fan in David Bowie, who offered to write them one single to give them a leg up. That single was the chart-topping "All the Young Dudes," a glitter-era wink-wink celebration of male bonding that name-checked chart-toppers T. Rex and repositioned the once-laddish band as glammy, androgynous scenesters. Obviously, an album was called for.

    Produced by Bowie and opening with a smoking cover of "Sweet Jane" that played a major role in raising public awareness of the Velvet Underground, ALL THE YOUNG DUDES is a brassy, loud, obnoxious--in the best possible sense--rock & roll album. "Sucker" and "One of the Boys" recall the hit, while "Jerkin' Crocus" and "Sea Diver" are as odd as the band's earlier material. An amazing mid-career transformation.
    Includes bonus tracks.Rolling Stone (p.70) - 3.5 stars out of 5 -- "[T]he heavy riffs and hand claps of 'Sucker' and guitarist Mick Ralphs' stadium-ready sludge fest 'Ready for Love/After Lights' gave that Bowie-produced album its vital variety." Rolling Stone (12/7/72, p.63) - "...an extravagant amount of power-driven, rock & roll....they're bound to make it on the strength of this record..." Uncut (p.114) - 5 stars out of 5 -- "[Bowie's] studio craft sheered up their sound, highlighting Ian Hunter's more focused material..." Mojo (Publisher) (p.125) - 4 stars out of 5 -- "'Momma's Little Jewel' and a cover of 'Sweet Jane' reveal staying power."

    American Beauty CD
      by Grateful Dead
    Our Price: $9.15
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    AMERICAN BEAUTY was an instant classic when it was first released November of 1970. It is among the most satisfying and enduring of the Grateful Dead's studio recordings, expanding as it does on the engaging mix of country, blues, and folk materials they first coined earlier in the year with WORKINGMAN'S DEAD.

    The musical vision of the Dead is more sharply focused on AMERICAN BEAUTY--from the serene reflection and compassion of the opening "Box Of Rain" and the earthy mysticism of "Ripple," to the sensual rock of "Sugar Magnolia" and the anthemic proto-boogie of the closing "Truckin'." But then, every tune on AMERICAN BEAUTY has attained a classic resonance, both from decades of steady airplay, and the way the Dead seemed to continually revive these popular standards for their concert repertoire.
    Rolling Stone (12/24/70, p.52) - "...the album is American beauty of the best possible kind....A complete contentment shines through the vocal work....The instrumentation is rich with sound that moves through, under and into the listener..." Mojo (Publisher) (p.153) - "It's a near perfect set of songs, most becoming mainstays of their repertoire."

    Best Of Lighthouse: Sunny Days Again CD - Import
      by Lighthouse
    Our Price: $16.45 CD / $8.99 MP3
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    Recorded between 1969 & 1974. Includes liner notes by Martin Melhuish. 16 of the Canadian rock group's greatest recordings from1969-1974, all digitally remastered. Includes all of their U.S. chart hits, including 'I Just Wanna Be Your Friend','Pretty Lady', 'Take It Slow', the top 40 'Sunny Days' andtheir best known song in the States, the top 30 'One FineMorning'. The Toronto-based act consistently had afluctuating line-up of at least 10 members! 1998 True NorthRecords release.

    Personnel: Skip Prokop (vocals, guitar, acoustic guitar, drums); Ralph Cole (vocals, guitar); Bob McBride (vocals, acoustic guitar, percussion); Howard Shore (vocals, flute, saxophone, alto saxophone, tenor saxophone); Keith Jollimore (vocals, flute, saxophone); Dale Hillary (vocals, alto saxophone, tenor saxophone); Larry Smith (vocals, trombone); Grant Fullerton, Terry Wilkins (vocals, bass guitar); Pinky Dauvin (vocals, percussion); Don DiNovo (violin, viola, electric viola); Myron Moskalyk, Paul Armin, Ian Guenther (violin); Dick Armin (cello, electric cello); Don Whitton, Leslie Snider (cello); Freddy Stone, Arnie Cycoski, Mike Malone (trumpet, flugelhorn); Paul Adamson, Pete Pantaluk, John Nalsen, Bruce Cassidy (trumpet); Russ Little, Rick Stepton (trombone); Paul Hoffert (keyboards, vibraphone, congas); Sam See (keyboards); Louie Yacknin, Alan Wilmot (bass guitar); Billy King (drums).
    Lighthouse includes: Ralph Cole (vocals, guitar); Terry Wilkins, Grant Fullerton (vocals, bass); Skip Prokop (vocals, drums); Pinky Dauvin (vocals, percussion); Paul Hoffert (keyboards, vibraphone); Don DiNovio (violin, viola); Ian Guenther (violin); Don Whitton (cello); Howard Shore (alto saxophone); Mike Malone, Freddy Stone (trumpet, flugelhorn); Rick Stepton, Russ Little (trombone); Sam See (keyboards); Billy King (drums).

      Music by the decades: [50's] [60's] [70's]  [80's] [90's

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