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  •  The EvO:R Street Journal

    The EvO:R Street Journal
    Editorial statement
    Dedicated to the culture, business and interests of the indie artist. EVJ delivers controversial points of view, hard-news commentary, Industry Insites, artistic prose and photography and welcomes responses (pro or con), feedback and topic suggestions from readers. If you would like to submit an opinionated article, inspired poem, photo or essay to EVJ, forward all copy to Editor ESJ and put To the Editor in the subject field.


    The stuff that losers are made of
    Performers try to protect works for the sake of profits

    By Frank Cotolo

    Recently, Billboard reported: "Despite the major labels' success in clearing hundreds of thousands of tracks for purchase online through services like Apple's iTunes Music Store, some top artists continue to resist authorizing the dismantling of their albums for Internet consumption as a la carte singles."

    Some of these commercial acts "are requiring that their music be sold exclusively in album bundles. Their concerns are about the downloads undercutting album sales.

    Attorney Fred Goldring, whose firm represents Will Smith and Alanis Morissette, told Billboard, "The fear among artists is that the work of art they put together, the album, will become a thing of the past."

    For artists who write their own material, the report indicates, the impact of the single-download purchase is even more substantial: Rather than collecting songwriting royalties on as many as 14 tracks, plus an artist royalty on the "album" sale, payment is being parsed on a per-track basis.

    It appears now that a kink in the so-called successful union between the Web and the commercial music world is about to crack that scheme wide open. If you think about it, this was bound to happen.

    Fear is driving the tactics of the music industry and now, if performers start holding back their, a hum, "art" because of money, they may get smacked in the face with the very nature of the market's demands. In other words, they may try to protect pennies earned and wind up losing more money than they can imagine ever making.

    It's one absurd thing for the major labels and the RIAA to be attacking the very fans they need to survive. But it is totally another, and even more destructive thing, for the performers to begin an assault on prospective buyers at a time when the bulk of them are experiencing a deluge of music over the Web and sharing it passionately.

    Where is the figurehead? Where is the trailblazing performer who will turn his or her head on the powers that be and set the stage for a campaign to distribute their music without money or fear driving the engine?

    They call themselves "artists," but that is a thin costume for them to wear, a see-through outfit that presents the real image clearly. None of them are radical enough to take whatever the next step may be. None of them will experiment or lose some money to break into the next dimension of music marketing, whatever it may be.

    They are all crybabies, trying to protect what they want to share with the public by using a price tag. Want names?

    Linkin Park, Radiohead, Madonna, Jewel and Green Day are among the crybabies. Hypocrites, the lot of them. Cowards each and every one. Their fans should abandon them by the droves and accuse them all of betrayal. None of them care as much about getting their music into more ears as they do about how they earn money from their music. Some rebels. Some difference between their "acts" and their creative fiber.

    Make no mistake about this-protecting the integrity of a creative work for the sake of the percentage is just a degrading of the work itself. And, for sure, not having the guts, brains, balls or downright courage to take a step in a different direction to try to settle the battle raging due to the new technology is the stuff that losers are made of.


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    ESJ is looking for writers/poets for our next issues. All work is appreciated and will be published (with the exception of articles containing racism, bigotry or other demeaning topics) Also, this is a PG-13 rating and will be censored if you do not edit it. Please e-mail The EvO:R Street Journal.
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